If there's external change then usually there's internal change.
If there's internal change then there's usually external change.
If there's external change but no internal change, that also is meaningful.
If there's internal change but no external change, that also is meaningful.
I guess the writer's work is to create the shifting world for the reader... you'd perhaps think that often the effective way to do this is through action/dialogue/sensory details... external I guess you could say.
Not sure if this defines pulses so much, but it seems like it's in the mix somewhere
So, for you, it's everything together, internal and external?
If there's external change then usually there's internal change.
If there's internal change then there's usually external change.
If there's external change but no internal change, that also is meaningful.
If there's internal change but no external change, that also is meaningful.
I guess the writer's work is to create the shifting world for the reader... you'd perhaps think that often the effective way to do this is through action/dialogue/sensory details... external I guess you could say.
Not sure if this defines pulses so much, but it seems like it's in the mix somewhere